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THE WATER BOUGET The water-bougets, which were used to carry water to the Christian camp, consisted (as we find from rudely drawn ancient pictures and sculpture of two leathern bags, suspended from the ends of a yoke placed upon the shoulders of the bearers. These rudely-delineated bougets, though perhaps not very accurately represented, will scarcely admit of correction, for we have no means of knowing what were the exact forms of those vessels; and therefore, if drawn according to modern rules of art, would probably not give the figures intended.
Besides, the ancient form is the heraldic device, and therefore no variation as to shape is admissible; such attempts, by modern artists, have frequently destroyed the original character of ancient heraldic bearings.
Armorial Gold offers a few different choices for Bougets; the one inset seems to be the most popular, with patterned ermine frequently seen. |
-------------------------------------- THE PALL A figure having the form of the letter Y. It consists of half a pale issuing from the base, and conjoined in the fesse point with half a saltier from the dexter chief and sinister chief. It is said to represent a liturgical vestment worn over the chasuble by the pope, archbishops, and some bishops in the Roman Catholic Church. It is betoken by the pope on archbishops and bishops as a symbol of their participation in papal authority. |
CROSS FURCHEE A peculiar device, by some denominated a Cross Furchee, is borne by the ancient family of Cunningham, in Scotland. By others this device is called a Cross Pall (extending then to the extremities of the shield), representing a pall thrown over the shoulders of a priest or bishop. It is supposed to be made of lamb's wool, and is the figure of Christ bearing the lost sheep upon his shoulders.
Argent, a cross furchee sable, as borne by the Cunninghams, is said to have had this singular origin:—When Prince Malcom, surnamed Canmore, escaped from the Usurper Macbeth, the ancestor of the Cunninghams hid the fugitive prince by covering him with straw; and when Malcom recovered his crown, in reward for this service he conferred large domains upon his protector, and granted this armorial device in commemoration of the act: the furchee representing a wooden fork of those times, by which straw was spread, and shaken for litter. (see Pall in complementary article to the left of this one) ------------------------ |
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THE HEAVENLY BODIES Heraldic devices are not limited to terrestrial objects,—the heavenly bodies are also employed as armorial insignia. Of these there are numerous examples, both in the shields appertaining to our own nation, and in those of other countries. Azure, the sun in his glory proper, (that of course must be or,) is borne by the name of Richmond: the same is borne by St. Ecleire, in France. The virtues ascribed in olden times to the sun, both physically and symbolically, we need not now consider. It is sufficient that the sun affords a fair and honourable device, applicable to the purpose of an heraldic figure. Gules, the sun in his glory, appertains to the family of Solis, in Spain. Party per fess crenelle gules and azure, three suns proper, is borne by the name of Pearson, of Devonshire; Sable, four chevronels between three suns argent, by the name of Waltham. It is probable that this device should be three full moons. A detached ray of the sun has been used as an heraldic device. Azure, one ray of the sun issuing out of the dexter corner of the escutcheon bendways proper, is borne by the name of Aldam, or Adam. Several instances occur in armory of rays of light issuing. Clouds, Stars, Crescents, Angels, Cherubs, Lightning Bolts, and many more heavenly images are used frequently in Heraldry. |
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THE ESCALLOP for pilgrims who were truly noble The assumption of escallop shells by Christian pilgrims (for they always made those shells part of the decorations of their dress) appears to have allusion to some of the Apostles, who followed the profession of fishermen, and whose sainted protection these devotees invoked in their arduous journeys.
Argent, an escallop shell gules, is borne by the name of Prelate, of Gloucestershire; Sable, an escallop shell argent, by the name of Travers. Escallop shells, as before mentioned, represent the constancy and faithful adherence of the bearer to the religious work wherein he is engaged; the indentations on their edges being so formed by nature that none other than the twin shells can by possibility be made to unite. Gules, three escallop shells argent, is borne by the name of Kepple; Sable, three escallop shells argent, by the name of Strickland; Gules, three escallop shells within a bordure engrailed argent, by the name of Earle, of Lincolnshire: Gules, three escallop shells or, by the name of Palmer, of Essex; Azure, three escallop shells or, by the name of Mallett, of Somersetshire; Or, three escallop shells gules, by the name of Harbotell, of Northumberland. Sable, six escallop shells, 3, 2, and 1, or, by the name of Estoft, of Lincolnshire ; the same arms are borne by the name of Escott, of Cornwall, no doubt originally the same family.
Nisbet, in stating that escallop shells have been always considered, in armorial bearings, as the badges and distinguishing marks of pilgrimages to holy places* observes, that they were of such estimation and extensive appropriation in all Christian countries, that Pope Alexander IV., by a Bull, prohibited the assumption of escallop shells, as armorial devices, by all but " pilgrims who were truly noble." |
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